Product measurements (cm)
| Size | S | M | L | XL | 2XL |
|
BREAST (1) (with padding) |
44 |
46 |
48 |
50 |
53 |
|
EO (2) |
43 |
45 |
47 |
49 |
52 |
|
BUTTOCKS (3) |
45 |
47 |
49 |
51 |
54 |
|
LONG SLEEVES |
18 |
18 |
18 |
18 |
18 |
|
LONG DRESS (5) |
95 |
95 |
95 |
95 |
95 |
The actual measurements of the product may have a small margin of error of 1-3cm. And this error does not affect the overall shape of the product.
Model Liu Fei is 172cm tall, with a bust of 87cm, a waist of 64cm, and hips of 93cm. Liu Fei is wearing size M.
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Main material: Tweed (Polyester), made in Vietnam.
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Lining material: Cotton, made in Vietnam
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Tailor-made artisans Thanh Thuy and Nguyen Dieu, showcasing exquisite handcrafted tailoring at Hity Atelier, Nha Trang, Vietnam.
This dress wasn't made to be figure-flattering.
It was created to help you stay in shape .
The silhouette is straight and flowing, without emphasizing the waist or drawing the eye in. The structure of the tweed fabric maintains just the right amount of structure, so the dress doesn't slide with the body, nor does it resist movement. It stays there, parallel to you.
Tweed is tightly woven, with a slightly textured surface, holding its shape well but not stiff. The fabric has a moderate weight, creating a "stable" silhouette when standing and a slow, graceful movement when walking.
Each braided sea serpent on the neck and sleeves is not decorative; it serves as a clear boundary between the body and space. When standing still, these details anchor the dress. When moving, they remind us that every movement has a starting point.
In the warm atmosphere of the year-end season, the dress doesn't try to "fit in" with the festive spirit. It doesn't need flowers, it doesn't need symbols. The red color of the tweed is enough to carry the rhythm of time, especially when placed in the light and on the surfaces of Vietnamese architecture, where everything withstands heat, wind, and lasts longer than its outward appearance suggests.
This dress is designed to stand alone in the frame. No gestures, no acting needed. The body simply needs to be present, and the dress does the rest: maintaining the shape, order, rhythm, and providing a sense of stability and security on the body.
In Hity's red tweed collection, this design is the central axis. Not a focal point, but a point of balance. It allows the other designs to move, while it itself remains still.
I'm not wearing this dress to walk quickly.
We wear it to stand tall in a world that is tilting.
