Ha Giang Jacket
TOP187WHITE
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Chất liệu
Thông tin thiết kế
Product measurements (cm)
| Size | S | M | L | XL | 2XL |
|
CHEST (1) |
45 |
47 |
49 |
51 |
54 |
|
EO (6) |
45 |
47 |
49 |
51 |
54 |
|
SHOULDER LENGTH (2) |
36 |
37 |
38 |
39 |
40 |
|
LONG BODY (5) |
60 |
60 |
60 |
60 |
60 |
|
LONG SLEEVES (4) |
57 |
57 |
57 |
57 |
57 |

The actual measurements of the product may have a small margin of error of 1-3cm. And this error does not affect the overall shape of the product.
Model Nam Ha is 172cm tall, with a bust of 82cm, a waist of 62cm, and hips of 90cm. Nam Ha is wearing size S.
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Main material: Woven cotton-viscose structure , made in Vietnam.
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Lining material: Satin (100% Polyester), made in Vietnam.
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Button: natural seashell or inlaid copper shell
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Tailor-maker: Ninh Trung, exquisite handcrafted tailoring at Hity Atelier, Nha Trang, Vietnam
In contemporary design practice, clothing is increasingly understood not merely as an aesthetic object, but as a device regulating the relationship between the body and the environment. The jacket, occupying the outermost layer, is the form where function, structure, and aesthetic consciousness intersect most clearly. It is a small spatial structure where the human body negotiates with its surroundings. There, posture, movement, and self-awareness are subtly but persistently shaped.
This jacket was developed from that mindset. Instead of aiming for immediate attention, the design focuses on... The garment stabilizes the body in a state of presence. The form is built on the principle of balance: tight enough to hold structure, open enough to allow natural movement. The garment doesn't force us into a single image, nor does it let us dissolve into the softness of the material.
The jacket embodies the spirit of highland climates: not so cold that one must flee, nor so warm that one can become complacent. It exists in between, where people learn to adjust, slow down, and become more mindful of each movement of their body.
Cotton-Vicose fabric woven with a tweed texture, featuring a moderate thread density and thickness. The fabric is treated to be subtle, revealing its texture when light hits it, acting as an intermediary layer between the body and the climate. Under natural light, the fabric surface doesn't reflect strongly but absorbs light, creating a slow visual rhythm.
From an aesthetic perspective, this design rejects performance. Its beauty lies in the clarity of its structure and the consistency of its details. Every seam, every point of contact serves a specific purpose: to keep the body stable, both physically and mentally.
The jacket, therefore, doesn't try to tell a story. It creates a condition.
The conditions for us to stand firm, move consciously, and exist in space with full awareness.
We wear that cloak in moments when we need a little warmth: when stepping outside into the cool air, when standing still in a wide open space, when choosing to be present in humility. The cloak only clarifies our stance before the world.
There is a beauty that comes from control.
There is an allure that arises from restraint.
And there are designs that exist not to be seen, but to be lived with.
This jacket belongs in those days.
These are the days when we choose to stand firm, instead of making a fuss.
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