Water-Resistant Jacket

Product measurements (cm)

The actual measurements of the product may have a small margin of error of 1-3cm. And this error does not affect the overall shape of the product.

Model Tra My is 172cm tall, with a bust of 82cm, a waist of 62cm, and hips of 90cm. Tra My is wearing size S.

• Main material: Tie-dye taffeta (Polyester), made in China.

• Lining material: Satin (100% Polyester), made in Vietnam.

• Tailor-maker: Ninh Trung, exquisite handcrafted tailoring at Hity Atelier, Nha Trang, Vietnam

In conventional design thinking, jackets are often placed at two extremes: either as purely functional protection or as visual expression. Both interpretations view the garment as a Finished object - completed at the time of shipment.

Phi Thuy rejected that logic.

This garment is designed to support the body's presence in a stable, reliable space. When wearing the Phi Thuy garment, it not only covers the body but also regulates the relationship between us and the environment: light is softened on the fabric's surface, wind is dispersed instead of being blocked, and body movements are not amplified into images. This is a form of design oriented towards a state of being alive.

The Phi Thuy jacket wasn't created to make an immediate impression. It exists as a layer of interface between us and our environment.

The fabric surface has subtle, mottled patterns. operating as a trace of the process It evokes images of earth, mist, and sunlight filtered through a plateau. This is not a decorative motif, but a surface left "undisturbed" by time. We don't see polished perfection; we see stability.

In life, very few things exist in a state of purity. Light is always filtered, surfaces are always touched, and time always leaves behind distortions. The stain is an image of these distortions, not strong enough to break the structure, but clear enough to remind us that no life is completely smooth.

When we wear Phi Thuy, the stains remain like faint memories, like a layer of light dust settling on familiar objects. We may not notice them at first, but the longer we live with the garment, the more we realize they create a subtle visual depth.

The stains, therefore, do not represent romantic nature. They represent life as it has been lived.

The Phi Thuy jacket is constructed on a streamlined silhouette, with well-fitting shoulders and a straight, flowing body. No unnecessary details, no emphasis on the waist or curves. The length of the dress stops at the upper hips, allowing for flexible movement without disrupting the overall shape. This structure puts the dress in a ready-to-wear state, requiring no adjustments or "acting."

The fabric maintains just the right amount of structure: enough for the garment to stand on its own, yet soft enough to respond to movement. When we walk, turn, or stop, the garment doesn't resist our body; it adjusts to our slow rhythm. This is a conscious choice: rejecting the rigidity of power tailoring, nor falling into the softness of purely comfortable attire.

Details such as plackets, pockets, and seams are kept to a minimum, preventing the garment's surface from becoming fragmented. This allows the most important element of the design to remain intact: the visually appealing, lake-like surface of the fabric.

The shirt speaks for itself.
It operates silently, serving as an infrastructure for our presence.